Monday, September 29, 2008

Superb movie!

This was the first foreign language movie I watched in my start i must say. Just reinforces that transmitting human emotions needs no language aid. Superbly made and wonderfully acted "father and son". A must watch for all. I read a review by someone on this;

"If you do not tear up while watching De Sica's masterpiece, then you need surgery on your tear ducts."
Jeffrey Hill


Crazy Stuff

Very Good movie and very good soundtracks!

I am just dieing to see "Cavite".

All time Favorite-2

Got easily to my top movies list!

Sunday, September 28, 2008

Hilarious Short Comedy :)

Welcome to Sajjanpur!

Very nice and "meaningful" :) movie by Shyam Benegal.

A very good post about Ronnie Screwvala

By Jason Overdorf, Business 2.0 Magazine
Ronnie Screwvala walked the red carpet at the glitzy Dubai International Film Festival in December with Oliver Stone and Richard Gere. Westerners might have wondered who he was and why he deserved the company of two Hollywood luminaries, but anyone familiar with the Indian film industry would have understood.

Screwvala, one of the leading movie producers in India, is bringing Hollywood-style filmmaking to the subcontinent. And U.S. moviemakers, desperate for new opportunities, want a piece of the action.

India's teeming film industry, known as Bollywood, is extraordinarily prolific. Indian filmmakers churn out 1,000 movies each year. Yet the industry grossed just $1.5 billion in 2005, and only a handful of movies made it to first-run theaters overseas. Compare that with Hollywood, which pumped out 563 movies that year and made more than $18 billion at the box office, including $9.6 billion from international distribution.

Why isn't Bollywood making more money?

That question is the driving force behind Screwvala's company, UTV Software Communications. "Broadcasting [in multiple channels] started here in 1992, and it's already a $4 billion business," says the 49-year-old entrepreneur. "Yet this 100-year-old industry is still less than $2 billion. We have to grow."

His solution is to revolutionize Bollywood - blow up the business model and replace it with traditional studio rules.

It's a huge job. Bollywood has always been a haphazard affair. Half a dozen prominent families controlled it, but they weren't very businesslike. Movies started shooting with no scripts and little money. Stars disappeared midshoot for weeks at a time to vacation, go home, or work on another movie. Theater owners underreported ticket sales to avoid sharing revenue with producers. It was nearly impossible to figure out whether a movie had made money and, if so, how much.

In addition, Indian story lines did not appeal to many outside the country. To the Western eye, Bollywood movies were chaotic, a surreal combination of Sylvester Stallone and Busby Berkeley musicals. In a typical plot, the hero sang, danced, fought bad guys, got the girl, found his long lost brother, and wept on his mother's deathbed - for at least three hours.

Screwvala broke into Bollywood in the late '90s, teaming up with anyone willing to work by his rules. UTV has produced a dozen movies with all the earmarks of professional filmmaking: budgets, marketing and distribution plans, real preproduction, and three-month shoots.

The company distributes them worldwide and milks Hollywood-style ancillary revenue, from product placement to soundtrack rights and video-on-demand. Screwvala has also cut the running times and dumped the disorganized and stale story lines. His hit Rang de Basanti (The Colors of Spring) tells the story of India's disaffected urban youth; it also made more than $2 million in the United States.

"We're breaking the mold," Screwvala says, comparing his experience to the days when Star Wars and other independent films paved the way for new genres in Hollywood.

Screwvala likes pioneering. The former game show host started his business career walking around Mumbai, asking apartment dwellers to try a newfangled gadget called a remote control. He got Indians to give up their single-channel, government-run television and brought cable to the country in the 1980s. He used the money from that to get into television production, making a steady stream of animated cartoons that attracted U.S. producers looking to outsource their own animation.

But all the while, he had movies on the brain. "Indians have always been voracious movie viewers," he says. "That's in our DNA. But we're as strong in commerce as we are in creative. It seemed to me that there was a huge opportunity here."

He was right. Now U.S. filmmakers, their revenue streams threatened by videogames, the Internet, and video-on-demand, knock on his door. This year, along with his Indian films, he's partnering with Sony Pic (Charts)tures and Fox Searchlight on movies starring Chris Rock and Will Smith, as well as an adaptation of Jhumpa Lahiri's novel The Namesake. News Corp (Charts). and Disney (Charts) bought stakes in UTV last year.

And Screwvala's plan is starting to bear fruit. In 2005, UTV took in $52 million -$32 million of it from movies - and turned a modest profit. That made it the second-largest producer in India, counting box office and ancillary revenue, a meteoric rise for an industry newcomer.

And its "new" business practices are spurring changes at competing studios. Contracts, budgets, and balance sheets are more common. So are shooting schedules, bigger marketing budgets, and the exploitation of ancillary revenue. According to PricewaterhouseCoopers, Indian films will generate $2.3 billion by 2010.

UTV has many other ventures, including 15 straight-to-DVD movies, an animated feature co-produced with a U.S. company, and a U.S. television series. But Screwvala has yet to reach his ultimate goal. "We have a good relationship with Disney," he says. "I'm hoping it can help us get some of our films into Wal-Mart."

Spoken like a true Hollywood producer, albeit with a distinct colonial accent.

for other posts from same blogger visit: Click Here

Wednesday, September 24, 2008


Kurt was already there!!
Scentless Apprentice is a song by Nirvana inspired by the book Perfume by Patrick Suskind..Well Kurt reportedly liked this book a lot :)

Scentless Apprentice:
Like most babies smell like butter
His smell smelled like no other
He was born scentless and senseless
He was born a scentless apprentice
Go away - get away, get away, get a-way
Every wet nurse refused to feed him
Electrolytes smell like semen
I promise not to sell your perfumed secrets
There are countless formulas for pressing flowers
I lie in the sole and fertilize mushrooms
Leaking out gas fumes are made into perfume
You cant fire me because I quit
Throw me in the fire and I wont throw a fit

This one is another superb movie by Tom Tykwer!

Tuesday, September 23, 2008

Wednesday, September 17, 2008


Heard somewhere that some scenes of Rock On! are "inspired" by the movie "August Rush"...

Three Really Good Directors of Bollywood NoW!!

Farhan Akhtar, Abishek Kapoor, Aamir Khan..

These guys are just amazing..i am sure they will get us "good" movies in future too.

Live Your Dream!


Sunday, September 07, 2008